Pier Paolo Pasolini Essay Example | Topics and Well Written Essays - 1750 words

Pier Paolo Pasolini - turn up ExampleWere it simply a question f quantity, however, were Pasolinis art no more than the indulgence f an unrepressed narcissist, there would be scant interest in a study f this kind. Instead, his dress offers an extraordinarily fertile and dense example f how subjectivities are built on something new(prenominal) and something farthest more complex than merely saying I. Indeed, one readiness say that his work offers an illustration f the ultimate incompatibility f saying I and being I, in any cohesive sense these phrases might have (Benveniste, 1966, 259-60). For Pasolini does indeed, as Barberi Squarotti implies, constantly offer himself up for display in his work, but to such a degree f intensity that conventional mediation is cast aside he is personally, bodily contribute within language, as he explains in Petrolio, in queste pagine io mi sono rivolto al lettore direttamente . . . in carne e ossa. In other words, he uses the textuality f his wor k or the semiosis f his multiform interventions in order to embody himself, to look himself into, rather than onto forms f expression. The project is, f course, deeply flawed and un trulyizable, but also strangely utopian. It is an well-nigh mystical aspiration to being-in-the text, to textual transubstantiation which can be related to his homosexuality. It represents a recourse to the meaty signifier f an authentic body as a public locus f discourse, in chemical reaction to the exclusion from discourse and from normative sexual ideologies. But the recourse is a subversive and not a naturalizing one, since the irreducible aura f presence surrounding the body disavows coded norms (Dollimore, 1991). It radicalizes the relations between selfhood, signification and the real by projecting irreducible markers f the latter into the first two. It brings selfhood and form into uneasy synthesis, in a dynamic akin to that seen by De Lauretis, 1984, in Pasolinis essays in film semiology a de ployment and experience f forms f discourse as active and subjective