The Red Curtain Trilogy, upon first thought, could only be seen as a marketing tool by Baz Luhrmann and the team at Bazmark - put your 3 popular films in a take to task set with some added features and set it upon the DVD buying audience. However, upon heave inspection, the three films are non boxed to constituteher entirely for marketing purposes, or just by the concomitant they drop the same director and production team - Simply Ballroom, William Shakespeares Romeo & antiophthalmic fixings; Juliet and Moulin Rouge! all have underlying themes and myths that link them together. This strain will seek to discuss the social and aesthetic themes that leakage through the Red Curtain Trilogy. The themes will be compared and contrasted amongst the three films. When explaining the trilogy, Lurhmann addresses the first theme that runs through them - it in fact relates not to any social or aesthetic theme, merely the intensity to elements of their report cardlines. Th e Red Curtain style that defines our filmmaking comprises several distinct storytelling choices. A simple, regular(a) naïve story based on a patriarchal myth is set in a heightened or created humanness that is at once familiar yet exotic, distant. Each of the Red Curtain trilogy has a thingumabob which awakens the audience to the experience and the storytellers presence, encouraging them to be everlastingly aware that they are in fact watching a film.
In Strictly Ballroom dance is the device, the actors literally dance out the scenes. In Romeo+Juliet it is Shakespeares heightened 400-year-old language. In Moulin Rouge, our ultimate Red Curtain gesture, music and ! song is the device that releases us from a naturalistic world. Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â (Baz Lurhmann - www.clubmoulinrouge.com) The primary myths that Luhrmann alludes to are truly well-heeled to understand once brought to light. In Strictly Ballroom, the... If you fate to get a full essay, order it on our website:
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