Othello: Religious Motifs Essay

Ot the pitso Religious Motifs BY Cherrry678 Relationships in which people provide themselves to be manipulated finished with(predicate) their weaknesses atomic number 18 truly flawed and bring in a cracking potential for failure. These relationships can become corrupt by jealousy and rumours nurtured by deceitful individuals. Such is the situation in Shakespeargons Ot orchestra pito, which depicts the tragic chargefall of an apparently perfect relationship.Shakespeare uses images of nirvana in the beginning of the turn tail to try the seemingly flawless chicane amid Ot sino and Desdemona. Furtherto a greater extent, as the playact progresses, the apposition etween heaven and perdition is utilise to re bewilder the artful powers of Iago oer Othello revelation the weaknesses of Desdemona and Othellos relationship. As a reply, the ill-shapen heaven and hell imagery utilise near the end of Othello reflects the eventual break down of Othello and Desdemonas uniting.T hus, in Shakespeares Othello, the connotation of the unearthly motifs end-to-end are used to develop the idea that even the most loving couples agree their flaws leaving them vulnerable to the destructive powers of Jealousy brought on by the manipulative influences of others, turn outing in suspicion and ultimately betrayal. The seemingly perfect fuck betwixt Othello and Desdemona is initially emphasised by Shakespeares use of heavenly images. through and through images of heaven, Othellos passionate erotic love for Desdemona is revealed.After existence accused by Brabantio of using enchantments to win all over his daughters love, Othello swears against it assuring their love is real And till she come, as truly as to heaven I do confess the vices of my blood, So incisivelyly to your grave ears Ill present How did I thrive in this fair ladys love, And she in mine (1. 3. 122-126). Othello swears on heaven that his love for Desdemona and her love for him is not a esult of w itchcraft, barely the result of an honest love for one another. The image of heaven is used to emphasize that Othello believes that the love among him and Desdemona is as pure as heaven itself.To song their love heavenly shows an exaggerated passion between the two get on emphasizing the appearance of their perfect union. Similarly, Desdemona feels that the love between her and Othello is destined to be, and through Shakespeares use of divine imagery this point is emphasized. Upon arriving in Cyprus, Desdemona and Othello are reunited for the first time since their Journey The heavens forbid/ But that our loves and console hould increase/ Even as our days do grow(2. 1. 190-192). For Desdemona to beg that nothing come between them and their eternal happiness shows a great deal of passion.Furthermore, to believe that their love will only divulge if they die high blowzys the certainty in which Desdemona feels that their love is more than Just a coincidence, but rather fate itsel f. The intensity of Desdemonas feelings for Othello adds to the idea that their pairing is ideal. Moreover, images of the thought flesh out Desdemonas love and her willingness to risk her entire being to be with Othello. When confronted bout her love for Othello, Desdemona reveals that her hearts subdued/ Even to the actually quality of her lord. She saw Othellos visage in his mind, Did she her soul and fortunes dedicate (1. . 250-254). From the beginning, Desdemona has viewed love as a risk and challenge. She has violently uprooted herself from her fathers protection and the conventional expectations of Venetian society (Thomas Neely 96). Desdemona believes that a life ripe of risks and unk forthwithn dangers is worth living if she is by Othellos side. This complete faithfulness of body and soul reveals Desdemonas feelings of loyalty towards Othello. The rendering of her soul her hale entire being, wholly to Othello emphasizes the impeccable love between the two of them.Thu s, through heavenly images the apparently perfect union between Desdemona and Othello is portrayed throughout the first scenes of the play. Despite the apparent perfect relationship between Othello and Desdemona, the flaws deep down their marriage are revealed through lagds manipulative powers as illustrated by the Juxtaposition of heaven and hell. Shakespeare uses lagds cause to bring about the doubt in Othello and Desdemonas perfect heavenly love through mages of hell. During his first soliloquy, part of lagds blueprint is revealed l havet It is engenderd Hell and wickedness/ Must bring this monstrous birth to the creations light(l . . 392-393). Desdemona and Othellos relationship is represented as the good in the world the light. For their relationship is that of ne plus ultra, they both love and dedicate each other with a deep passion. However, Iago is the opposite of this heavenly light and with him comes hell and corruption. When the characters meet, the sense of perfect ion is lost and human faults come into play. Furthermore, the Juxtaposition f heaven and hell illustrates that Iago is the tempter in Othello and Desdemonas relationship. After endowment Cassio advice on how to approach Othello regarding his job, Iago reveals his true plan Divinity of hellWhen devils will the b overleapest sins put on, They do call forth at first with heavenly shows, AS I do now (2. 3. 321-324). By comparing himself to a devil that appears innocent, Iago is revealing his ability to grass those around him with a fapde of kindness. To interpret Iago as a devil in turn implies Iago is more than that a fiend whose fiendishness remains unproven in the play (Christofides 19). Furthermore, the contrast of the heaven and hell further highlights the Machiavellian reputation of Iago that allows him to manipulate those around him without feeling remorse.Consequently, Iago tricks Othello into believing he is an honest man, frankincense, giving him the ability to manipulate Othello. Moreover, t here(predicate) is a lack of trust between Othello and Desdemona which is made evident through proportions to the devil. Clearly, Othello is suspicious of something when he accuses Desdemonas sight of being hot, hot, and moist and requireing a sequester from liberty, fasting and prayer, uch castigation, exercise pricey For heres a young and sweating devil here that commonly rebels (3. 4. 34-39).By accusing Desdemona of having a moist hand, a sign of amorous nature, he is accusing her of being unfaithful. Othello believes that Desdemona is a devil who postulate to repent for the crimes she has committed against him. However, Othello has no proof that she has done any victimize he is simply accusing her based on lies told to absence of trust inwardly their marriage. As a result, perverse images of heaven are used to show that lagds trickery has caused Othello to give up on those he loves. spell Iago fills Othellos head with lies of Desdemona and Cassio tog ether, Othello comes to the conclusion that is true. and all Othellds fond love thus doles he blow to heaven. Tis gone(3. 3. 444-446). By believing what Iago says to be the truth in such a brash manner, a lack of confidence in Othello is revealed. This lack of confidence causes Othello to doubt other aspects of his life such as his relationship with Desdemona allowing Iago to further manipulate Othello. Therefore, Iago has the power to make Othello believe that Desdemona is being unfaithful to him thus, ausing Othello to lose all hope in his marriage. This loss of love is reflected through Othellos loss of religion.Therefore, lagds manipulative influences expose the true weaknesses within Othello and Desdemonas relationship which is reflected through contrasting images of the divine and damned. Furthermore, due to their marriages weaknesses, the eventual breakdown of Othello and Desdemonas relationship is reflected through twisted heaven and hell imagery. Through the ironic use of divine images it is shown that when he is overcome by Jealousy, Othellos sense of Justice becomes twisted. When confronted by Emilia, Othello gives intellectual as to why he killed Desdemona Cassio did top her.Ask they husband else. O, I were damnd beneath all depth in hell But what I did proceed upon Just grounds -ro this extremity (5. 2. 136-139). Othellos sense of morality is corrupted he believes that he is Justified in killing Desdemona because of her betrayal. Here, Othello Judges on behalf of God but, of course, the audience knows Desdemona has been misjudged, that the sword of arbitrator should decentlyly 21) for Desdemona is innocent. Othello has been tricked by Iago into believing that he has the authority to choose what is right nd wrong.He then uses this authority misguidedly, resulting in the breakdown of his character and eventually his relationship with Desdemona. Additionally, the ironic reference to damnation further depicts Just how twisted his morality is for he believes that what he did was truly Just. Moreover, Shakespeare illustrates the contrast between Othellos assumed morality and his true crime by erstwhile more using images of heaven and hell. After Desdemona is dead, her virtuous nature is compared to Othellos O, the more angel she, And you the blacker devil (5. 2. 130-131).Othello lacks confidence within himself due to his differences, hich is emphasized through the use of a racial comment. However, these differences had meant nothing in the beginning, for the love between him and Desdemona was too strong. Consequently, Othello lets these differences get to him allowing Iago to manipulate him into losing the morality and honour he first possessed, reducing him to evil a devil in comparison to Desdemona. Resulting in the further breakdown of Othello and Desdemonas relationship. Ultimately, as a result of distrust and Jealousy Othello betrays Desdemona, as is depicted through the use of religious images.Emilia reveals to Othello the true tragedy of his crime This deed of thine is no more worthy heaven/ Than thou wast worthy her(5. 2. 160-161). Othello so overcome by Jealousy and anger is no longer associated with heavenly his entire marriage to Desdemona and ultimately leading to his betrayal of her. However, since Desdemona is still associated with heavenly images, it emphasizes her loyalty which in contrast further underlines Othellos flaws and the tragedy of his betrayal. Thus, through twisted images of heaven and hell Othellos betrayal of Desdemona and its consequential ruin of their relationship is portrayed.The carrier bag from positive to negative connotation of the religious motif throughout Othello is used to develop the idea that even the most loving couples can have their flaws manipulated by others allowing them to be overcome by Jealousy, resulting in a lack of trust and ultimately betrayal. In the beginning, heavenly images are used to illustrate an almost perfect love between Othello and De sdemona. Later, near the middle of Othello, the playwright uses contrasting images of heaven and hell to represent lagds manipulative powers over Othello revealing the flaws within Othello nd Desdemonas relationship.Thus, the ironic use of heaven and hell imagery near the end of the play mirrors the tragic breakdown of Othello and Desdemonas marriage. Since relationships are not perfect they can become easily tainted when left to the deceitful will of others. For when people allow their weaknesses to rule over their lives true tragedy ensues. It is up to those individuals to decide whether or not to let the lies brought about by others to affect them or not. This is the decision that ultimately determines the personnel of a relationship, not the number of flaws within it.