The Defeat of Many by One Essay -- Moor Last Sigh Essays

The Defeat of Many by OneIn The moorlands Last Sigh, Salman Rushdie uses the complex and changing character of the fix to represent a complex and changing image of India. By devising the eclectic family history of the Da-Gama Zogoiby family the central theme in the first ii parts of the novel, Rushdie portrays India as a culturally and religiously pluralistic society. This pluralistic society is layered by violence caused by the corruption of multiplicity by various characters and the threat of Hindu fundamentalism. As pluralism is defeated by fascism in Part Three of the novel, the nature of the violence changes drastically and is symbolized by the Moors significant character change The Moor whose catastrophe-the tragedy of multiplicity destroyed by singularity, the defeat of Many by One-had been the sequences join principle (Rushdie 408). The defeat of pluralism is not only the uniting principle in Auroras sequence of paintings, but also in Rushdies The Moors Last Sigh. Rushd ies vision of India is essentially the employment between multiplicity and singularity and the consequential violence that has plagued Indias history. In the first two parts of the novel, Rushdie portrays the positive aspects of pluralism through the story of the Da-Gama Zogoiby family. The Moors grandfather, Camoens describes an ideal pluralistic world A free domain Belle, to a higher place religion because secular, above class because socialist, above caste because enlightened, above hatred because loving, above vengeance because forgiving, above tribe because unifying, above voice communication because many tongued, above colour because multi-coloured, above poverty because ... ...lent singular vision, he ends rather optimistically. The Moor, at the end of his story and at the end of an salvo of violence lays his head down in hope for a better(p) time. In the distance he sees the Alhambra, the Moo rs triumphant masterpiece and their last redoubt (Rushdie 433). Rushdie uses this elegant metaphor of the Alhambra, that monument of lost possibility that nevertheless has gone on standing to convey the message that pluralism still has a fighting take a chance in India. (Rushdie 433) Rushdie suggests that just like the Moorish masterpiece withstood a rasping oppositional force and the test of time, so will India and its uniquely resilient and several(a) society. Works CitedEmbree, Ainslee. Utopias in Conflict. Los Angeles University of California Press, 1990.Rushdie, Salman. The Moors Last Sigh. red-hot York Vintage International, 1995.